Antarctica
An Exhibition on Alienation
2018–2019 Kunsthalle wien Exhibition
© Jorit Aust
Oct 25 2018 to Feb 17, 2019
In a sketch for a film, Michelangelo Antonioni notes: “The Antarctic glaciers are moving in our direction at a rate of three millimeters per year. Calculate when they’ll reach us. Anticipate, in a film, what will happen.”
Metaphorically speaking, to feel cold means to feel deeply alienated. Alienation was already a dominant concern for sociologists around 1900: the alienation of man from society through individualization, alienation from nature through urbanization, alienation from work through mechanization. For philosophers like Theodor W. Adorno, alienation thus turns into a key concept in terms of the role art plays in and for society: Without alienation there is no art, and ultimately it is only art that prevents total alienation.
Ironically, it is the countercultural protest against “social coldness” and against the “rigidification” of middle-class society in the 1960s that anticipates the ideologemes of flexible Capitalism 2.0. This move, in fact, paves the way for a new type of alienation – one which reverses the metaphorics: Coldness and rigidity are replaced by liquefaction, start-up and dynamics – social alienation, however, continues even as people now strive for self-optimization.
Antarctica looks at the pattern underlying alienation – this “relationship based on the absence of a relationship.” Showing numerous contemporary artworks; the exhibition explores how the term “alienation” functions in our world today. In doing so, it also addresses the following question: What other forms of relationship to the self and to the world do we need? Before we can even begin to create something like a space supportive of self-determination and self-realization?
The exhibition is preceded by a symposium on the subject.
The symposium aims to discuss and examine the (im/)plausibility of the concept of “alienation” today, and to engender a critical re-reading, with a view to its genealogy as well as its applicability to present-day political and aesthetic phenomena.
As a prelude to the exhibition Antarctica. An Exhibition on Alienation at Kunsthalle Wien, Tanzquartier Wien and Kunsthalle Wien organize a symposium on this term. The symposium aims to discuss and examine the (im/)plausibility of the concept of “alienation” today, and to engender a critical re-reading, with a view to its genealogy as well as its applicability to present-day political and aesthetic phenomena.
The symposia as well as performances and work presentations can be viewed online.
Curators: Vanessa Joan Müller, Nicolaus Schafhausen
Artists: Viltė Bražiūnaitė / Tomas Sinkevičius, Burak Delier, Buck Ellison, Isabella Fürnkäs, Eva Giolo, Thibaut Henz, Jan Hoeft, Hanne Lippard, Joanna Piotrowska, Jeroen de Rijke / Willem de Rooij, Jana Schulz, Andrzej Steinbach, Ingel Vaikla, Peter Wächtler, Ian Wallace, Tobias Zielony
The foregoing texts and images are provided and copyrighted by: https://kunsthallewien.at
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