Street: behind the cliché
2006 WITTE DE WITH, CENTER FOR CONTEMPORARY ART EXHIBITION
© Pieter Hugo, Courtesy of the artist and Michael Stevenson Gallery
Sept 9 to Nov 19, 2006
A thematic group exhibition Street: behind the cliché, featuring work in a range of media by 28 international artists. It is rare nowadays to encounter critical reflections on aesthetic representation that do not involve the concept of ‘space’. Especially in the Netherlands, where the notion of ‘public space’ is a perennially popular topic of discussion, the time is ripe for a reconsideration of how public space operates. What – and who – fills the socio-cultural space of our day-to-day surroundings? As part of Witte de With’s ongoing self-examination, we seek with this exhibition to explore the institution’s complex and problematic position in relation to ‘the street’.
Rather than presenting ‘the street’ as the infrastructure through which people move from A to B, the exhibition considers it instead as a local theater, a stage on which the complex stratification of cultural codes is acted out and identity is formed. Street: behind the cliché is an analysis of the interrelated phenomena that we encounter in our immediate surroundings, such as the fraught relationship between pop culture and subcultural identity, how ‘underground’ is now big business. Transcending purely local situations, Street investigates the public spaces of supermodernity, presenting artists whose works embody alternatives to the anonymity of the globalized world and render visible the underlying structures and mechanisms of public space.
For example, Martin Boyce’s installations dissociate street furniture from its usual context, presenting distorted bins or gleaming fences as theatrical props; Laura Horelli carries out a subjective analysis of post-Soviet public space; Tobias Buche and Sascha Hahn intertwine personal history with media images and historical references to create poetic documentaries in differing forms; David Blandy carries out a very personal quest to establish his own identity within the media-hyped stereotypes of hip-hop culture; and Gareth Moore spent a month in Rotterdam, creating a site-specific work in the building from materials and ideas found in the city.
Following the exhibition, a publication provided a platform from which to further explore the ideas proposed by the show. The writers had the chance to visit the exhibition and incorporate an analysis of the experience in their texts. The book was presented in February 2007 on the occasion of the conference The Periphery Complex at Witte de With.
Curators: Renske Janssen, Nicolaus Schafhausen
Artists: Joachim Baan (NL), David Blandy (UK), Henning Bohl (DE), Martin Boyce (UK), Tobias Buche (DE), Jason Dodge (US), Marius Engh (NO), Gardar Eide Einarsson (NO), Iain Forsyth & Jane Pollard (UK), Isa Genzken (DE), Pieterjan Ginckels (BE), Sascha Hahn (DE), Laura Horelli (FIN), Pieter Hugo (ZA), Ian Kiaer (UK), Germaine Kruip (NL), Klara Liden (SE), Gareth Moore (CA), Alex Morrison (CA), Chloe Piene (US), Robin Rhode (ZA), Ugo Rondinone (CH), Matt Stokes (UK), Aram Tanis (NL), An Te Liu (CA), Luc Tuymans (BE), Silke Wagner (DE), and Tobias Zielony (DE).
With Thanks To: Mondriaan Foundation, Amsterdam, Het Beeldgebouw, Rotterdam, September in Rotterdam.
Supported by: the British Council, the Mondriaan Foundation and September in Rotterdam
The foregoing texts and images are provided and copyrighted by: https://www.fkawdw.nl/en/
NO MATCHING PROJECTS
