2008 WITTE DE WITH, CENTER FOR CONTEMPORARY ART EXHIBITION
Visitors to Witte de With also find three radios playing a program of songs inspired by Afif’s sculptures. Their introductions are scripted by Afif and read aloud in the style of a popular radio DJ, citing the technical specifications of the work, the author of the lyrics and the composer of the song. This radio program is recorded live during the opening and broadcast in a loop from the roof of a neighbouring building to the surrounding area for the duration of the exhibition (on 107.5 FM).
Afif’s work vibrates with multiple meanings and reveals a fascination with music and music culture. His sculptures often adopt the forms of microphones, amplifiers, speakers, of musical instruments and their decorative finishes. And many of his works include music as an active ingredient. Another recurring element in Afif’s oeuvre is the passing of time, sometimes represented through a vanitas trope (particularly the image of a skull), or through the use of clocks as part of his formal vocabulary.
Abandoning the position of the isolated artist taking sole responsibility for the outcome of his work, Afif adopts an unusual artistic approach. He practices a form of artistic delegation, creating an extensive network of commissions to artists, writers, designers and musicians. Starting in 2004, Afif began to invite writers to create lyrics based upon his own artworks. These were presented in several exhibitions as wall texts (in place of the usual didactic institutional labels) alongside Afif’s original works. He then gave these lyrics to musicians and commissioned them to write music based upon the words. The resulting songs were then presented in the gallery spaces and released on various CDs.
Afif’s generous and dialogical approach to the creation – and mediation – of art explores the relationship between the original and the reproduction. At Witte de With, in dialogue with the curators, Afif takes this process of translating his work a step further, by reworking for the first time his own sculptures and installations. Additionally, broadcasting the radio show creates an alternative space and time frame in which to experience his works. In this way, the exhibition Technical Specifications represents an implosion and explosion of Afif’s practice, as he simultaneously reduces his own works to the sum of their parts and opens them up to new authors, new readings, new formats and new audiences beyond the institution’s walls.
Curators: Zoë Gray, Nicolaus Schafhausen
Artist: Saâdane Afif
(born 1970) lives and works in Berlin and Paris. Recent solo shows include Power Chords/ 9 pièces réduites, Fondation Prince Pierre, Monaco (where he was awarded their International Contemporary Art Award); Power Chords, Cité de la Musique, Paris (both 2006); and Lyrics, Palais de Tokyo, Paris (2005). Recent group shows include French kissing in the USA, The Moore Space, Miami; Documenta 12, Kassel; Learn to Read, Tate Modern, London; Airs de Paris, Centre Georges Pompidou, Paris ; Expats/Clandestines, Wiels, Brussels; Half Square, Half Crazy, Villa Arson, Nice (all 2007); Notre Histoire, Palais de Tokyo, Paris; Busan Biennial, Korea (all 2006); Expérience de la durée, Biennale d'art contemporain de Lyon; Pantagruel's Syndrome, Turin Triennial; Sweet Taboos, Tirana Biennial; Down at the Rock and Roll Club, 1st Moscow biennial (all 2005); and Playlist, Palais de Tokyo, Paris (2004). Afif has published three monographs: Power Chords, 2006, Fondation Prince Pierre, Monaco; Lyrics, texts/images, 2005, Saâdane Afif/Palais de Tokyo; and Jeunesse Youth / part 1 , 2003, Frac Champagne-Ardenne, Reims and Galerie Michel Rein, Paris.
With thanks to: CULTURESFRANCE – Ministère des Affaires étrangères, Paris; Institut Français des Pays-Bas, Amsterdam; Goethe Institut, Rotterdam; Galerie Mehdi Chouakri, Berlin ; Galerie Michel Rein, Paris ; Galerie Xavier Hufkens, Brussels.
A monograph titled Technical Specifications appeared following the exhibition, published by Witte de With Publishers.
This eponymous book captures that moment of implosion/explosion, documenting the visual appearance of the exhibition itself and the content of the radio show 53’56” & Some Words…, which was broadcast on 107.5FM for the duration of the show.
The foregoing texts and images are provided and copyrighted by: https://www.fkawdw.nl/en/
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