2000 Sternberg Press Publication
In his essay “A Show That’s Almost Invisible”, the critic Jonathan Walley discusses how the main works in this exhibition relate to Conrad’s interest in the subgenre referred to as the woman-in-prison film, silent music, and the idea of perspective developed during the Italian Renaissance. A conversation between Tony Conrad and Diedrich Diederichsen provides insight into the thinking of the multitalented artist and his unique position in the field of contemporary art.
Editors: Gareth Long, Nicolaus Schafhausen
Texts: Tony Conrad, Diedrich Diederichsen, Jonathan Walley
September 2015, English/German
13×19.5 cm, 96 pages, 16 color ill., softcover
ISBN 978-3-95679-169-7
Design: Andrew Shurtz, wehavephotoshop
Copublisher: Kunsthalle Wien
The foregoing texts and images are provided and copyrighted by: https://www.sternberg-press.com
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